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Monday 3 June 2013

Bridal Dresses Online Photos Images Pics Pictures New Collections 2013

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Source:-(Goggle.com.pk)

Fashion designer Emraan Rajput exhibited his Pakistani cultural based bride and groom collection at Day 2 of PFDC L’Oreal Paris Bridal Week Lahore 2011

Fashion designer Emraan Rajput exhibited his Pakistani cultural based bride and groom collection at Day 2 of PFDC L’Oreal Paris Bridal Week Lahore 2011.

Swathed with traditional colors and patterns, the latest bridal collection by Emraan Rajput at PFDC L’Oreal Paris Bridal Week Lahore 2011 was a treat for eastern wear lovers.

Entitled as ‘Vedaas’, Emraan Rajput collection at PFDC L’Oreal Paris Bridal Week Lahore 2011 drew inspiration from traditional hues blend of South East Asia. All the sherwanis, pajamas and turbans for men and the lehengas for brides were crafted meticulously. Thats how the Vedaas by fashin designer Emraan Rajput depicted the rich Pakistani culture.

The make-up artist for PFDC L’Oreal Paris Bridal Week Lahore 2011 Day 2 was Depilex.

The dress itself was put together by Linton and Curtis of Albemarle Street. The front of the dress was made of white satin, featuring three small flounces old Honiton lace which had been used on the wedding dress of her mother. The bodice, cut at the throat, was long and pointed and was made of Silver's white and silver brocade, also featuring a small amount of her mother's Honiton lace near the top and on the upper part of the sleeve. The rich satin manteau de cour fell from her shoulders.The train was long and plain (although The Times reported there was none and the veil of her mother's which she wore was also made of Honiton lace, fastened by diamond pins given as a gift from Queen Victoria.

Weddings performed during and immediately following the Middle Ages were often more than just a union between two people. They could be a union between two families, two businesses or even two countries. Many weddings were more a matter of politics than love, particularly among the nobility and the higher social classes. Brides were therefore expected to dress in a manner that cast their families in the most favorable light and befitted their social status, for they were not representing only themselves during the ceremony. Brides from wealthy families often wore rich colors and exclusive fabrics. It was common to see them wearing bold colors and layers of furs, velvet and silk. Brides dressed in the height of current fashion, with the richest materials money could buy. The poorest of brides wore their best church dress on their wedding day. The amount and the price of material a wedding dress contained was a reflection of the bride's social standing and indicated the extent of the family's wealth to wedding guests.

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